A Buzzaround built on vero using NPN germaniums (AC176 & CV7112/OC140). It’s a negative ground circuit, so the power supply can be daisy-chained with other negative ground pedals. It’s also got an additional Volume control, as well as the usual Balance, Timbre and Sustain controls. Finished in black hammerite with a blue LED.
For Mason in the U.S.

An Ibanez Standard Fuzz clone with 3-way clip mode switch, Philips electros, a 2SK30A and 2SC828 transistors, like the original. Finished in a copper vein powdercoat with white LED.
For Kent in Australia.

A Fuzz Face variant using NPN 2N1306 germanium transistors, built on vero with Vishay and tropical fish caps, BC electros and carbon composition resistors. Using NPN transistors makes the circuit negative ground, so the pedal’s power supply can be daisy-chained with other negative ground pedals. The circuit is tuned somewhere between the stock Fuzz Face and a Colorsound Fuzzbox. The knobs control Volume and Tone, going from a heavy, fat fuzz to a less saturated distortion. There’s also an internal trimmer to adjust the bias. Finished in a cream powdercoat with an orange LED.

A Seamoon Fresh Fuzz clone on vero with Panasonic caps, BC electros and carbon composition resistors. Finished in blue hammerite with a blue LED.
For The Mighty Orq in Texas, U.S.

A Vox Tonebender with Mullard OC42 and OC76 germanium transistors. Built on vero with carbon composition resistors, BC electros, styroflex and PIO caps. Finished in a red powdercoat with a white LED. The toggle disconnects the battery when not in use, averting the need to plug out the input jack.

A Fuzzrite built on vero with an MPSA18 and a 2N2222A metal can transistor with the 22k/boost switch. Finished in a dark gold hammertone with a green LED.
For Julien in France.

A Rangemaster with 3-way tone switch and and knobs for Bias and Boost. Built on vero with Vishay caps, BC electros and a CV7003 germanium transistor (mil spec OC44). There’s also a switch to disconnect the battery when the pedal’s not in use. Finished in a blue hammerite.

A Fender Blender clone with some mods. One footswitch engages the tone boost, as on the original, while the other footswitch engages one of two feedback modes, selected by the lower toggle. The other toggle disengages the octave for a more regular fuzz sound.
For Benoit in France.

A modified Triangle Muff which uses LED clipping, instead of the usual silicon diodes, for a louder, less compressed sound. It also has an extra presence control based on Jack Orman’s presence mod, which interacts with the Tone control for extra versatility.
For Rick in the U.S.

An Ibanez Standard Fuzz clone built in a large enclosure with the same 2SK30 and 2SC828 silicon transistors as the original, along with Philips axial electros and metal film resistors. The Standard Fuzz is similar to the Univox Superfuzz, with controls for Depth (fuzz) and Balance (volume) while the extra footwitch selects either the octave fuzz tone or the scooped mids sound. The 3-way toggle switch selects one of 3 diode clipping modes: germanium (stock), silicon (louder output) or no diodes (lots of extra output). Finished with a white LED, large dial knobs and a cream powdercoat.
For Guillaume in Belgium.