Mosrite Fuzzrite

A Mosrite Fuzzrite clone built with Vishay and Panasonic caps and a toggle to engage the ’22k/boost’ mode. Finished in a red hammerite.
For Pascal in France.

A Mosrite Fuzzrite clone built with Vishay and Panasonic caps and a toggle to engage the ’22k/boost’ mode. Finished in a red hammerite.
For Pascal in France.

The latest batch of Rams Heads which were available only through Crush The Button. See the Rams Head page for more info on the pedal. This batch was sold out before they were built and another batch in a different colour and knobs will be available soon.
The FM72 is available now from Crush The Button. For more info on the pedal go to the FM72 page. Only 10 were made in this particular style. There may be more FM72s in the future depending on demand.
Price is €135.00 plus shipping.

A clone of the vintage Colorsound Supa Tonebender. Essentially a Big Muff with the first set of clipping diodes removed. It uses a 3-way switch to go between Big Muff mode, Supa Tonebender mode or disengage all clipping diodes. Built on veroboard with 2N5088 silicon transistors, Panasonic caps, metal film resistors, clear/blue LED and a gold hammerite finish.
For Eric in Los Angeles, U.S.

A Univox Uni-Drive clone built using the same NOS 2SC859 silicon transistors as the original. As well as the usual Drive (pre-gain) and Volume knobs, it features a Tone knob which can roll off bass at the input as required. Built on vero with Panasonic caps and Panasonic/BC electros, metal film resistors, white LED and a gold hammerite finish.
For Daniel in Sligo.


A silicon Fuzz Face with BC108 transistors and knobs for Tone, Fuzz and Volume with an internal trimmer to set the pre-gain level.
For Cormac in Waterford.

There’s a limited run of 10 Rams Head clones available exclusively through Crush The Button. The folks at Crush The Button got in touch about the possibility of doing a limited run of these classic Big Muffs and sent me an original early V2 Rams Head to clone. The pedal looked to be a ‘Marveltone’ build from ’72/’73.
As well as the usual Volume, Tone and Sustain controls, I’ve added two toggle switches for some extra versatility.
The first switch selects one of 3 tone options:
1. stock setting, the classic scooped mids Big Muff sound.
2. flat, flattens the EQ response with a small mid boost.
3. peaked mids, adds more low/mid boost, great for cutting through any mix.
The second switch selects one of 3 clipping options:
1. stock setting, with both sets of diodes engaged.
2. bypasses the first set of diodes, which allows a lot of low end through and is great for bass players.
3. bypasses both sets of diodes, less clipped sound and a huge boost in output level.
It’s built on vero with 2N5088 silicon transistors, 1N419 silicon diodes, Panasonic film caps, metal film resistors, polarity protection, power filtering and shielded cable to reduce hum and noise, Switchcraft jacks, true bypass switching, a bright white LED, genuine Daka-ware knobs and finished in a durable silver vein powdercoat. Signed and numbered 1 to 10.
Sold Out.

www.crushthebutton.be
For loads of info on Big Muff versions and history, check out Kit Rae’s excellent site here.

A Fuzz Face clone with BC107 and BC337 silicon transistors, BC electros, Vishay and vintage tropical fish caps, clear/blue LED and blue hammerite finish.
For Neil in Dublin.

A clone of the Vox Distortion Booster V8162, which originally came in a small box plug-in like the Vox Repeat Percussion. It’s essentially a silicon Fuzz Face type circuit but with a less woofy, heavy sound and all the rich harmonics you’d expect. It uses two BC108 transistors, metal film resistors and two high quality K40Y-9 capacitors. The trimpot replaces the ‘gain’ resistor so it’s maximum output can be set to taste. Finished in a silver vein powdercoat.
For Kalle in Germany.
